This Thing Called Theory by Stoppani Teresa; Ponzo Giorgio; Themistokleous George

Author:Stoppani, Teresa; Ponzo, Giorgio; Themistokleous, George
Language: eng
Format: epub, pdf
Publisher: Taylor and Francis

Notes

1

Peter Bürger, Theory of the Avant-Garde, trans. Michael Shaw (Minneapolis: University of Minnesota Press, 1984).

2

Philip Johnson and Mark Wigley, Deconstructivist Architecture (New York: The Museum of Modern Art/Little Brown and Company, 1988).

3

Beatriz Colomina, ‘L’Esprit Nouveau: Architecture and Publicité,’ in Architectureproduction, eds, Beatriz Colomina and Joan Ockman (New York: Princeton Architectural Press, 1988), 56–99. Mary McLeod, ‘Architecture and Politics in the Reagan Era: From Postmodernism to Deconstruction’, Assemblage 8 (February 1989): 22–59. Joan Ockman, ‘Resurrecting the Avant-Garde: The History and Program of Oppositions’, in Architectureproduction, eds, Beatriz Colomina and Joan Ockman (New York: Princeton Architectural Press, 1988), 180–192. K. Michael Hays, ‘Reproduction and Negation: The Cognitive Project of the Avant-Garde’, in Architectureproduction, eds, Beatriz Colomina and Joan Ockman (New York: Princeton Architectural Press, 1988), 152–180; K. Michael Hays, Architecture’s Desire: Reading the Late Avant-Garde (Cambridge, MA: MIT Press, 2010).

4

Catherine Cooke, ‘Russian Precursors’, in Deconstruction: Omnibus Volume, eds, Andreas Papadakis et al. (London: Academy Editions, 1989), 10–19.

5

Bürger, Theory of the Avant-Garde, 10–11 and 48.

6

Peter Uwe Hohendahl and Marc Silberman, ‘Introduction to Reception Aesthetics’, New German Critique 10 (1977): 29–63. Wolfgang Iser, The Act of Reading: A Theory of Aesthetic Response (Baltimore: Johns Hopkins University Press, 1978). Robert C. Holub, Reception Theory: A Critical Introduction (London: Methuen, 1984).

7

On the theory of reception in art, see Hans Robert Jauss, Toward an Aesthetic of Reception, trans. Timothy Bahti (Minneapolis: University of Minnesota Press, 1992). In landscape, see John Dixon Hunt, The Afterlife of Gardens (Pennsylvania: University of Pennsylvania Press, 2004). In theatre, see Susan Bennett, Theatre Audiences: A Theory of Production and Reception (London: Taylor and Francis, 1997). In television, see John Fiske, Television Culture (London: Methuen, 1987); John Fiske, ‘Audiencing: A Cultural Studies Approach to Watching Television’, Poetics 21 no. 4 (August 1992): 345–359. In film theory, see Janet Staiger, Media Reception Studies (New York: NYU Press, 2005); Janet Staiger, Perverse Spectators: The Practices of Film Reception (New York: New York University Press, 2000).

8

On the theory of reception in architecture, see Tim Gough, ‘Cura’, in Curating Architecture and the City, eds, Sarah Chaplin and Alexandra Stara (London: Routledge, 2009), 93–102; Tim Gough, ‘Reception Theory of Architecture: Prehistory and Afterlife’, Architectural Theory Review 18 no. 3 (2013): 279–292; Naomi Stead and Cristina Garduño Freeman, ‘Architecture and “The Act of Receiving, or the Fact of Being Received”’, Architectural Theory Review 18 no. 3 (2013): 267–271; Tom O’Regan, ‘Reception and Exposure in Architecture, Film and Television’, Architectural Theory Review 18 no. 3 (2013): 272–278.

9

Benjamin H. D. Buchloh, ‘The Primary Colors for the Second Time: A Paradigm Repetition of the Neo-Avant-Garde’, October 37 (Summer 1986): 41–52.

10

While rarely acknowledged, Bürger did not invent the term ‘neo-avant-garde’. It was in use at least three years prior to the publication of Theory of the Avant-Garde in: Miklós Szabolcsi, ‘Avant-Garde, Neo-Avant-Garde, Modernism: Questions and Suggestions’, New Literary History 3 no. 1 (Autumn, 1971), 49–70.

11

Benjamin H. D. Buchloh, ‘Theorizing the Avant-Garde’, Art in America 72 no. 10 (November, 1984): 19–21.

12

Peter Bürger, ‘Avant-Garde and Neo-Avant-Garde: An Attempt to Answer Certain Critics of Theory of the Avant-Garde’, trans.

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